Hollywood’s Netflix New-Wave
Netflix has been ever-present in most of our lives now for a while, yet a couple years ago it still would’ve been hard to believe that the online-streaming platform would…
The Oscars’ ‘Best Popular Film’ Category reveals the vested interest that lies at the heart of Awards Shows
Anyone who has watched The Oscars before will know very well that artistic integrity isn’t prioritised in the way that the awards’ image demands. However, news of the academy introducing…
‘First Man’ Review
Space travel has been a preoccupation for Filmmakers, almost since Cinema’s invention. George Méliès’ A Trip to the Moon (1902) amazed audiences of the time. Its invention and depiction of…
Romanticising the bad guy, why do we do it?
Reading Vladimir Nabokov’s Lolita as a love story is a standard initial interpretation of the novel, despite the kidnap and rape of the titular 12 year old girl by her…
James Blake – Assume Form review
Arriving in to Brighton’s The Islingword on Queens Park Road, as I ordered a pint and briefly squinted to see the football score before sitting down, I heard something genuinely…
How Netflix’s Sex Education is breaking stigmas and defying stereotypes
Netflix’s new series, Sex Education, has been released less than a month and has already got rave reviews from fans across the globe. It has been considered one of the…
Keira Knightley rewrites gender in Colette
Colette is the biographical story of Sidonie-Gabrielle Colette, a French author, performer and dancer during the late nineteenth century. Keira Knightley gives a sublime performance alongside Dominic West as ‘Willy,’…
LGBT representation in music: measuring the success of #20GAYTEEN
Personally, music has always been about connection and expression, which is why I value diversity and representation. From Tchaikovsky to Freddie Mercury, LGBT people have made important contributions to the…
Interview with Sunflower Bean
Sunflower Bean recently performed at The Old Market; I was lucky enough to chat to Nick Kivlen – guitarist and vocalist – over the phone about the band’s upcoming EP…
Review: Live Score of Fantômas by Amiina, Saturday 17th November 2018, CINECITY event
“It’s like a first generation Die Hard,” Magnús Trygvason Elíassen, the drums of Amiina, exclaimed to the audience in his introductory spiel, receiving a full house of laughs. Nothing welcomes…
Interview: A Conversation with Magnús Trygvason Elíassen
We interviewed Magnús Trygvason Elíassen ahead of Amiina’s performance of the score to Fantômas that took place on Saturday 17th November 2018 at the ACCA. We spoke about musical experiments,…
Artist Focus: Lunara Bramley-Fenton
Lunara Bramley-Fenton is a Brighton based mixed media artist. She is in her third year at Sussex, studying Art History. Tell me about yourself. I grew up in a family…
Brighton Philharmonic Orchestra Viennese Gala review
New Years Eve saw the Brighton Philharmonic Orchestra’s flagship event for the year: a Viennese Gala featuring no less than nineteen pieces. A well crafted programme and the sonorous tones…
Brighton Chefs get to final 16 in National Burger Awards
Two former chefs at Brighton’s premier wine bar-cum-restaurant Plateau have reached the final 16 in Casual Dining’s National Burger Awards, proving their cookery is a well-marbled cut above the competition.…
Rock for Refugees Review: Bands Rock Out for Change
Komedia’s basement was full to the roof with audience’s head-banging to three bands’ alt-rock music. The night was in aid of refugees, with Sussex Student Action for Refugees (STAR) and…