A Glass Half Empty review
For those of us coming to the end of another year of university study, the prospect of careers, marriages and babies may seem a long way off. It comes as…
DollyWould at The Old Market review
Sh!t Theatre’s DollyWould is a hilarious, thoughtful and experimental performance piece. The award winning show has the Sh!t Theatre duo integrating comedy, storytelling, personal experience and music. The show’s focus,…
Shakespeare in the sun – The Tempest preview
In a world of dystopian King Lears and female Hamlets, Shakespeare’s classics are constantly being reimagined for the modern day. There’s something oddly refreshing then about the phenomenally back-to-basics traditional…
Dollywould at The Old Market preview
From the 22nd May – 25th May 2018 DollyWould will be showing at The Old Market. An exciting new show, presented by Sh!t Theatre, who won the Fringe First Award…
Adam review
If you have been a stranger to the stage this spring and decide to see one contemporary show, let it be Adam. This reviewer went in entirely blind. Slowly, as…
Whimsical fairy-tale meets class war – Standard: Elite review
Meta-theatricality and interactivity are becoming all the more vogue in contemporary theatre, and in a world where the arts are becoming increasingly open and democratised, I find myself willing these…
Voodoo enthralls at The Old Market – review
As part of South East Dance’s micro-festival, Undisciplined, Voodoo comes to being as a collaboration between South East Dance and Project O. Project O brings artists Alexandrina Hemsley and Jamila…
Trial & error: Sex, sass and foolishness through dance
For the concluding show of South East Dance’s micro-festival, Double Bill brings two short performances to The Old Market’s stage: Comebacks I thought of later by Eleanor Sikorski and Ode…
An evening with Candoco Dance Company – review
Last week at the Attenborough Centre, the phenomenally unique and refreshing dance company Candoco brought to the stage a double bill of performances exploring identity, community and communication. What strikes…
Sussex student takes show to Brighton Fringe
Final year English and Drama student Sophie Pester will be taking her original stage show A Glass Half Empty to Brighton Fringe next month. First performed by SUDS (Sussex University…
Brighton Fringe comic Joseph Morpurgo on satire, Frankenstein and his fictitious nine-hour, one-man show
At The Badger we sat down with multi-talented comic, three-time Chortle Award winner and Edinburgh Fringe favourite Joseph Morpurgo to discuss his show Hammerhead. Following a three-week sell-out run at…
Voodoo preview
“ science fiction that addresses the desire, confusion and responsibility felt as individuals, who are also symbols of many long-persecuted people.” (Quoted from Alexandrina Hemsley and Jamila Johnson-Small) Voodoo is…
Interview with Chris Watson: Take a trip to No Man’s Land this spring
Sound recordist, Chris Watson, spoke to The Badger about his new installation piece featured in the Attenborough Centre for the Creative Arts until 13 April 2018. From an electronic music…
“A moving symbol of cooperation and humanity” – COAL review
“This is not a show. It’s something else”, we’re told. Gary Clarke’s dance performance of the life and decline of Britain’s mining communities is certainly something else. ‘Do you want…
Stand Up & Slam review
Sometimes the best experiences are those you initially question. Stand Up & Slam is one such idea, for it is a resounding triumph of an evening. Hosted in the downstairs…
Organisms, self-understanding and sacrifice in Rambert’s production at Theatre Royal Brighton
Goat.-Rambert-Dancers-FrontCentre-Daniel-Davidson.-©-Hugo-Glendinning Rambert delivered a series of fluid performances where human bodies became elegant oscillations, much like the metallic wall used on stage to divide the dancers in the opening piece:…
SMuTS presents ‘Jekyll & Hyde’ review
Excitement and anticipation were running high Wednesday evening at the Attenborough Centre for the Creative Arts (ACCA) for the opening night of Sussex Musical Theatre Society’s (SMuTS’s) Spring production: Jekyll…
Unexploded Ordnances – Curing historical amnesia and saving the world
In her 1980 paper ‘Age, Race, Class and Sex: Women Redefining Difference’, feminist writer Audre Lorde calls the myth of the “generation gap” one of the primary tools of repressive…
SMuTS presents Jekyll & Hyde
Sussex Musical Theatre Society (SMuTS) are presenting their Spring show this week premiering on Wednesday 21 March. The production is a musical theatre adaption of Robert Louis Stevenson’s 1886 gothic…
Ballet British Columbia review
Ballet British Columbia is Canada’s leading contemporary dance company. They are renowned for their edgy performances, and sharp choreography. No doubt the choreographers had put a lot of effort, thought…
