Unspoken Rules, ‘Getting it Wrong’ and Adaptive Superheroes: Nuerodivergency in Theatre Spaces
Words Elijah Arief In a world of rigid social structures and unspoken rules, where certain cues and the ‘right way…
Sussex Musical Theatre Society (SMuTs)
Words By Harrison Fitzgerald At Sussex, as I am sure you are by now aware, there are literally hundreds of…
Brighton: A Film Fan’s Guide
Words by Yazz James Cinemas Aside from the central, Przym-neighbouring Odeon or the Marina’s Cineworld, Brighton is home to many…
The Show Must Go Online: A Review of Digital Hamlet
Words by Elijah Arief Theatre and technology are two things which seem incongruent. Technology seems to create a barrier between…
Read Now: The Badger 11th Edition
The 11th and final edition of the academic year is here, read it now!
Jinkx Monsoon on Together Again, Again, on LGBTQ+ and non-binary issues and on returning to RuPaul's Drag Race
Editor-in-Chief Chris Ahjem sits down with RuPaul's Drag Race winner Jinkx Monsoon to discuss their new show, LGBTQ+ issues and…
The Music of The Shining
Words by Ryan Bridgewater From its opening helicopter shots of the Rocky Mountains scored by Wendy Carlos and Rachel Elkind,…
‘Stand-Up History Brighton’ – A Review?
I feel a particular ambivalence toward review and criticism. While I have used them in the past to filter my…
Elf Lyons interview – Don’t shop, adopt!
Elf Lyons is a nuanced performer whose show ‘Love Songs to Guinea Pigs’ is coming to Brighton Komedia on the…
“Booksmart” breathes fresh air into the coming of age genre
It is almost impossible to say something new in the genre of coming-of-age films. They always inevitably need to tick…
Avengers: Endgame Review
Finally, the culmination of 11 years, 21 films and over 80 characters, the Endgame is here, but can Marvel do…
Wild Rose Review
With American musicals sweeping the box office, what can be expected from the Scottish A Star is Born.
Small Scale/Big Heart – Shazam! Film Review
The semi-officially titled DC Extended Universe (DCEU) has gotten off to a bumpy start ever since 2013’s painfully average Man…
Jordan Peele doubles down on satirical horror-comedy with US
Two years after Jordan Peele’s Oscar winning breakthrough, Get Out, expectations were high for the writer/producer/director’s follow up. Whilst Us…
The Production of ‘A Clockwork Orange’
The clock is ticking for this controversial, phenomenal production to take to the stage and a explanation for why the…
Queer Eye Season 3: A Triumphant Rise to New Heights
With the Fab Fives’ long-awaited return, Netflix users tuck in to Queer Eye’s third season to watch both heart-breaking and…
Introducing the ACCA
With the Attenborough Centre right on our doorstep, we are lucky to to have access to year-round, contemporary performances and…
M.I.A: Celebrating the Unified but Complex Identity of Refugees
Matangi/Maya/M.I.A (2018) is not your typical musician’s biographical documentary. For one, most of the film’s footage is shot by Maya…
A few things to Marvel at
Captain Marvel (2019) opens on the Kree capital planet of Hala and threatens to break some new ground for the…
Why the Academy never fails to disappoint
This year I hosted my first ever Oscars party. The living room was turned into the Dolby cinema, a towel…