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Rhys Lewis Interview: Love songs and political needs

By Rebecca Spencer: Comment Editor

Rhys Lewis is a 28-year-old singer/song-writer with over 27 million Spotify streams on his song ‘No Right To Love You’. His songs are about heartbreak, anxiety and extremities of emotion that we can all relate to.

However, Rhys Lewis isn’t just another love-song writer. His music raises questions about and challenges the modern political climate. Rhys Lewis is an artist that is bringing to light the potential power and impact that political dialogue could have within music. He calls for a revival of musical activism, in a style reminiscent of John Lennon’s ‘Imagine’ with his song ‘Better Than Today;. a chat with Rhys Lewis, he explained how the song ‘Better Than Today’ was inspired by the election of Donald Trump in the USA. Rhys described how he was able to ‘empathise with both sides’ because every person votes for ‘what they believe is better for the future, we all have that in common, whether or not we agree with what that is’.

On the single ‘Better Than Today’, he sings how ‘we’re all reaching for something, we’re all craving change, hoping tomorrow is better than today’ to resonate with his political message of unity; ‘we need to recognise the same good intentions that we all have of trying to hope for a better future and not let that intention alienate and divide us’, he tells me.

He compared his thoughts on the presidential election to that of the Brexit referendum. He stated that ‘we are all struggling for the same reasons, we are all in the same kind of fire’ and to call a whole group of people ‘bigots or racists’ doesn’t help the political situation to move forward. He hopes for a world where we can all unite, not in opinions but in hearing each other out, by trying to understand rather than ignore.

‘This is a time where we need more than ever to be on the same team,’ he continues, ‘and to be more collective, more community based and more understanding of each other.’ In the face of global crises and global warming, we must pull together… despite Brexit and despite Trump.

‘If I was Ed Sheeran I’d be like ‘I could change the sway of a national vote with my music, I could change the future’

– Rhys Lewis

Lewis spoke in length to me about his frustration towards mainstream superstars such as Ariana Grande, Ed Sheeran and Adele, who do not use their platform as the largest social influencers in the world, to convey key political messages and to become activists; ‘I don’t understand how there are so many global crises and no one with the biggest audiences are tackling them with art, with anything engaging other than “oh I’m doing this for Water Aid”, why are they not writing about this sh*t.’ ‘If I was Ed Sheeran I’d be like ‘I could change the sway of a national vote with my music, I could change the future’.’

That’s what Lewis is attempting to do: write songs about things that actually effect all of us and that we can all relate to and feel passionate about. As he says ‘no one actually cares about how my heart got broken’ but we can all relate to the fact that the planet we live on is dying.

Lewis raised the issues of music label pressure on artists to be commercial enough, ‘to be Radio 1, not Radio 2’ and how this effects which issues artists feel they are allowed to talk about; aware not to jeopardise the highest rates of potential listeners. This means that music isn’t ‘as potent a vehicle anymore’ to provide a political message, especially as people want to listen to music to escape from the problems in reality.

Lewis also references his icon Bob Dylan’s music and how he brought public attention to real-world issues like the Vietnam War, and how these kind of dialogues rarely occur these days within the music industry. Although, Lewis does praise artists like Stormzy who rapped the lyrics ‘Yo, Theresa May, where’s the money for Grenfell?’ sending a powerful message of anger to politicians in his BRIT performance in 2018. As well as praising Sam Fender’s work in discussing the tragically high rates of male suicide in today’s society in his song ‘Dead Boys’.

Lewis calls for more mainstream artists to be using their influence to make a change in political conversation and bringing these issues to the fore of public debate. Music can influence, empower and unite the masses… so let’s stop talking about the new hair extensions Ariana Grande is able to afford and start talking about the refugee crisis.

Lewis is not wrapped up in the bubble of celebrity privilege, he is awake to ongoing global crises and political debates and he wants to use his talent in song-writing to try and voice disputes that are largely kept to the House of Commons.

It is key to acknowledge the collective consciousness of the general public and in voicing their concerns about contemporary society, musicians are thus empowering them by producing music to which people feel a political and moral affiliation towards.

With this in mind, Rhys Lewis has come to a point in his career and in his life where ‘just writing about love songs isn’t enough for me, let alone my audience. With all the things that are going on in the world I feel like it’s too self-gratifying to just write about your own emotion’.

Musicians should strive to be the voice of the people, as before the privileges of celebrity life, they were most likely one of the masses themselves.

Political movements could be perpetuated or catalysed by utilising the platforms that major super-star celebrities have available to them. If Ariana Grande cared about climate change as much as Greta Thunberg does, I’m pretty sure the school strikes could have been amplified tenfold and subsequently their impact on global politics too.

Musicians should strive to be the voice of the people, as before the privileges of celebrity life, they were most likely one of the masses themselves. They are not above political, environmental and social issues and they should aim to represent the social-moral compass in the face of huge corporate and political power over legislation that affects everyone.

Rhys Lewis is currently working on a song about climate change, among other things, which will be released in his upcoming EP on the 26th of April. His new song ‘End Like This’ is out now.

Working his way up the industry ladder, Lewis is showing a crucial awareness of the nature of this particular beast, and the world around him. What music is to come will be much anticipated by many, but it will surely only be richer for its creator’s prescience in the social and political moment.

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145 views

Protests in Latin America: Explained

Rebecca Spencer - November 6, 2019

By Laura Rodríguez Peña Latin America has been a region historically oppressed by its own leaders. Even after colonisation, the upper classes tended to monopolize power causing an…

Writing our Legacy: Experiences of the Windrush
Features
90 views
Features
90 views

Writing our Legacy: Experiences of the Windrush

Sonaili Vasta - November 6, 2019

On Thursday the 17th of October the organisation ‘Writing Our Legacy’ in Brighton and Hove, hosted their event for Black History Month. Which was a literary event…

Badgers centre stage: The Past
Arts
64 views
Arts
64 views

Badgers centre stage: The Past

Jess - November 6, 2019

With Brighton being a playground for artists of all genres, types and skill, it is unsurprising that the University of Sussex has a multitude of notable alumni…

The cultural appropriation of Halloween
Culture
86 views
Culture
86 views

The cultural appropriation of Halloween

vanessahtl - November 5, 2019

By Josh Talbot In light of the of the pinnacle event on the spooky calendar there are question marks to be raised on Halloween and what place…