Verve Couture – Musicality, kitsch & ignition: the beginning of a series
Pictured: Zac Black At Proud Cabaret audiences were spellbound as if at night at the circus, yet this was not…
Fleabag on stage at The Old Market – review
Last Monday at 8pm at Brighton’s The Old Market, I sat myself down in my theatre seat eagerly awaiting the…
A Glass Half Empty review
For those of us coming to the end of another year of university study, the prospect of careers, marriages and…
DollyWould at The Old Market review
Sh!t Theatre’s DollyWould is a hilarious, thoughtful and experimental performance piece. The award winning show has the Sh!t Theatre duo…
Review: Nick Cave Double Bill at The Old Market (TOM’s Film Club)
What a phenomenal contrast these two films present when watched side-by-side. In essence, together they are capable of tracing inner…
Whimsical fairy-tale meets class war – Standard: Elite review
Meta-theatricality and interactivity are becoming all the more vogue in contemporary theatre, and in a world where the arts are…
Voodoo enthralls at The Old Market – review
As part of South East Dance’s micro-festival, Undisciplined, Voodoo comes to being as a collaboration between South East Dance and…
Trial & error: Sex, sass and foolishness through dance
For the concluding show of South East Dance’s micro-festival, Double Bill brings two short performances to The Old Market’s stage:…
An evening with Candoco Dance Company – review
Last week at the Attenborough Centre, the phenomenally unique and refreshing dance company Candoco brought to the stage a double…
“A moving symbol of cooperation and humanity” – COAL review
“This is not a show. It’s something else”, we’re told. Gary Clarke’s dance performance of the life and decline of…
Stand Up & Slam review
Sometimes the best experiences are those you initially question. Stand Up & Slam is one such idea, for it is…
Organisms, self-understanding and sacrifice in Rambert’s production at Theatre Royal Brighton
Goat.-Rambert-Dancers-FrontCentre-Daniel-Davidson.-©-Hugo-Glendinning Rambert delivered a series of fluid performances where human bodies became elegant oscillations, much like the metallic wall used…
SMuTS presents ‘Jekyll & Hyde’ review
Excitement and anticipation were running high Wednesday evening at the Attenborough Centre for the Creative Arts (ACCA) for the opening…
Unexploded Ordnances – Curing historical amnesia and saving the world
In her 1980 paper ‘Age, Race, Class and Sex: Women Redefining Difference’, feminist writer Audre Lorde calls the myth of…
Ballet British Columbia review
Ballet British Columbia is Canada’s leading contemporary dance company. They are renowned for their edgy performances, and sharp choreography. No…
What does it mean to be a man? – Testosterone review
Dynamic theatre company Rhum & Clay blew audiences away at Hove’s The Old Market last week with a daring venture…
Hammerhead review
The two most fear-inducing descriptors for theatre in the UK must surely be “one-man show,” and “audience participation.” Although both…
The Russian State Ballet of Siberia’s Cinderella review
The Russian State Ballet of Siberia came to the Theatre Royal Brighton this week with a trio of classic ballet…
Krater’s Valentine’s Day Special review
Love was in the air at a Valentine’s special of Krater Comedy Club last Wednesday and, despite the pouring rain…
An immersive journey of self-discovery (Featuring David Bowie) – From Ibiza to the Norfolk Broads Review
Adrian Berry’s From Ibiza to the Norfolk Broads is a moving and immersive journey of self-discovery aided by the music…