Review: MAHALIA’s Love & Compromise
Mahalia’s rise to alternative R&B supremacy comes as no surprise. Atlantic saw the potential in her when she was only 13 and in 2012 she released her first EP, Head…
Musicians vs Politicians
By Louis Johnson – Comment Sub-Editor Why should we value music? In an age of identity politics where empathy appears to have been cast to the dustbin of history; music…
Review: BROCKHAMPTON’s Ginger
Released earlier this summer, BROCKHAMPTON followed 2018’s ‘Iridescence’ with their fifth studio album ‘Ginger’. Since Iridescence, the self-proclaimed greatest boyband since one direction has faced chaos and separation, but out…
Should we still listen to Michael Jackson’s music?
YES Alice Gledhill Sometimes, bad people create great things. This does not redeem them, but nor does it reduce the quality of their art. Michael Jackson, who died in 2009,…
Is music journalism a total minefield?
By Stella Cooper My friends are still sharing videos, no matter how messy, of pure summer festival carnage. Whether that’s in the shape of music, or campsite antics, it still…
Saving The Music Video
The last year has seen the release of significant musical projects on Netflix. A television platform by nature, this convergence of media could signal the start of something great, a…
Katy Perry’s latest controversy captures contemporary Pop’s key problems
In July, a six-year-old song struck a chord in pop culture for all the wrong reasons. Following a four-year legal battle, a Los Angeles jury declared that Katy Perry’s 2013…
Lord Apex to headline Platform B celebration
On October 3, join Lord Apex, KEYAH/BLU, and CHUNK as next generation radio station, Platform B celebrate a year since launching on 105.5 FM. Returning this year, in collaboration with…
The Sussex Festival 2019 Headliner is…
The Badger can exclusively reveal that the headliner for the Sussex Festival 2019 is...
Music to Study To
It’s that time of the year again with exams brewing over the next few weeks. From film soundtracks to ambient albums, we pooled together some of our favourite playlists and…
Maisha live at Patterns review: the zenith of contemporary British jazz
If you were to line up the new stardom of British jazz and choose the most iconic artists, you might be forgiven for Maisha having escaped your view. For one,…
In Conversation with Maisha
It is no understatement to say that Maisha are one of the hottest new outfits in Jazz, comprised of some of the most in-demand instrumentalists from the London scene. Before…
The Great Escape – Day 3: Truly impressive weekend comes to an end
The final day at The Great Escape was notably quieter that those that preceded, nevertheless the turn out for most venues came close to capacity. Wrestling with the changing weather…
The Great Escape – Day 2: Foals and Girl In Red take weekend to higher planes
The second day at The Great Escape was hailed in with sun rays beaming down over the city. Buzzing with vibrancy, The Great Escape really found its feet after a…
The Great Escape – Day 1: Brighton’s weekend of new music begins in style
It is that time of year again, as the masses descend on Brighton for festivities, infrequently good weather and the full musical experience the city provides. The Great Escape has…
Cabbage live at The Haunt: Swaggering with youthful audacity
Cabbage enter the stage to Gimme gimme gimme by ABBA and disco lights. They shuffle around, as if to say “this wasn’t what you were expecting was it”, and head…
Mr Bongo 30th anniversary – Moses Boyd leads the way in eclectic celebration of music
It is safe to say Brighton-based record label Mr Bongo has earned its name as the best champions of diverse music in town. Director of Operations Graham Luckhurst asserted that…
Elder Island interview: “We’re always advancing”
Last week I had the privilege of interviewing Katy and Luke of Elder Island, two members of the three-piece band. Elder Island are a special band; a technically advanced group…
MAISHA live at Patterns preview – The exemplary artists of London’s vibrant jazz scene
Combining in equal parts the airy spiritualism of Alice Coltrane and the kind of virtuosic displays now typical of the UK’s prolific jazz scene, Maisha’s music is littered with references…
Punk Nostalgia: The Stranglers at Brighton Dome
For someone who believes that music culture must constantly evolve to stay vital, seeing a treasured band whose heyday was the late 1970s and 1980s is potentially loaded with ambivalence.…