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Widows – Inheriting crime

Steve Mcqueen’s latest film is a bold move from slow-burn dramas with a strolling pace into the department of fast paced blockbuster heist-movie. Regardless of this, Widows still really feels…

CINECITY – Legendary director’s experiment fails: The Image Book

The French New Wave adored video essays as the form of expression. Video essays were the form of expression adored by the French New Wave. It allows using images to…

Remakes and Reimaginings: Suspiria (2018)

Suspiria is a surprising and radical reimagining of Dario Argento’s 1977 film. The story is centred around Susie Bannion (Jessica Harper/Dakota Johnson), a young American, who moves to Germany to…

The Hate U Give: Tackling Systemic Racism

Angie Thomas’ debut novel, The Hate U Give, has recently been brought onto the big-screen, with the powerful and politically critical adaptation being directed by George Tillman Jr. With Amandla…

CINECITY Opening Night: The Favourite

I did not always believe in the magic of cinema. Sitting in one of a thousand identical cinemas, looking at the waves of unoccupied seats, can make you feel more…

Peterloo – Has Mike Leigh Finally Met His Waterloo?

Mike Leigh’s Peterloo hit cinemas nationwide on November 2nd and Duke of York’s Picturehouse bestowed us with the pleasure of witnessing the film on the big screen. Does it sit…

Tarkovsky’s sci-fi classic comes back to the big screen

Picturehouse’s ‘Spaced’ season screened Tarkovsky’s much revered Solaris. Beautifully shot, the film begs to be enjoyed on the big screen and we took this opportunity to look back at Solaris’…

Revisiting Steve McQueen’s cinematic world

Steve McQueen is a member of the rare species of those established gallery-based artists that made a successful transition to commercial cinema. Being one of the most established powerhouse names…

SE7EN, Reasons Why 35mm Film and The Cinema Are Still Important

In a day and age where we have a wide array of films at our fingertips through a variety of online streaming services, it is becoming rarer for most people…

Bad Times never felt this good

On the border between California and Nevada lies the El Royale hotel and (former) casino. The El Royale, now run down and largely uninhabited, may have lost its gambling licence…

They are the champions, but will this performance be begging for an encore

In the various online polls for which celebrity the public could bring back from the dead, the legend that is Mr Freddie Mercury (originally known as Farrokh Bulsara), will consistently…

I Luff Linn-ed Hoskings new film

I had the opportunity to watch the picturehouse release of An Evening with Beverly Luff Linn (2018) at Duke’s at Komedia in Brighton. This is the second feature film directed…

What to watch at Brighton Film Festival? #2

Apart from showing the mainstream flicks, Brighton Film Festival allows you to go off the beaten track and watch something atypical or sometimes bizarre. Here are the five films that…

What to watch at Brighton Film Festival? #1

Films festivals often allow watching great films months before their regular releases. Here are the five films screened at the Brighton Film Festival that may be really hot during the…

Mark Cousins’s mission of retelling the history of cinema

Although female directors are finding more and more space for their works in the contemporary film industry, there is still a sense of female filmmakers being severely underrepresented. By 2018…

Johnny English Fails to Strike Again

Striking up laughter in cinema screens once again, Rowan Atkinson may have given up playing lovable Mr. Bean, but he hasn’t retired as Johnny English just yet. Now aged 63,…

What’s ACCA-ning?

All you need to know about autumn at the Attenborough Centre for the Creative Arts If you have not seen the ACCA’s new autumn programme, you may be overwhelmed by…

“Climax” review – The return of the French provocateur

The newest film from the notorious Gaspar Noé was so critically acclaimed at the Cannes Film Festival that the director himself could not believe it. Climax opens with a closing…

Review: Suzanne Ciani & Martin Messier at the ACCA

At the outset, Mr Messier’s FIELD at once invoked The Matrix and Daedalus’ Boiler Room set. The basic concept of this mixed media performance relies on transducer microphones picking up…

American Animals: the quasi-documentary that packs a punch

Half-documentary, half-crime-drama, American Animals is an innovative piece of work. Under Bart Layton’s precise direction, this challenging style heightens the moments of farcical comedy and adrenaline-pumping crime scenes whilst also…